{"id":5910,"date":"2026-08-31T12:39:23","date_gmt":"2026-08-31T12:39:23","guid":{"rendered":"https:\/\/artfair.app\/?p=5910"},"modified":"2026-08-31T13:42:02","modified_gmt":"2026-08-31T13:42:02","slug":"dans-clotho-the-spinner-daniel-bilmes-peint-comme-une-fileuse","status":"publish","type":"post","link":"https:\/\/artfair.app\/fr\/dans-clotho-the-spinner-daniel-bilmes-peint-comme-une-fileuse\/","title":{"rendered":"Dans Clotho (The Spinner), Daniel Bilmes peint comme une fileuse"},"content":{"rendered":"\r\n

Daniel Bilmes construit une surface comme une fileuse travaille une quenouille\u00a0: il tire un long coup de brosse d’huile sur le panneau, le laisse s’amincir vers la fin, puis fait glisser un second coup \u00e0 travers le premier avant qu’il ne soit compl\u00e8tement sec. Sous un \u00e9clairage rasant, la peinture de Clotho (The Spinner)<\/em> \u2014 une huile sur panneau de 41 \u00d7 41 cm dat\u00e9e de 2021 \u2014 se lit moins comme une touche picturale que comme une fibre, des filaments superpos\u00e9s d’ocre chaud et de gris-bleu froid qui s’accrochent et s’entrelacent plut\u00f4t que de simplement se superposer en couches. Ce n’est qu’apr\u00e8s que cette surface s’impose que le titre entre en jeu. Clotho est la plus jeune des trois Moires de la mythologie grecque, la Parque qui file le fil d’une vie sur son fuseau avant que ses s\u0153urs ne le mesurent et ne le coupent. Bilmes ne l’a pas tant illustr\u00e9e qu’il n’a emprunt\u00e9 sa technique.<\/p>\r\n\r\n\r\n\r\n

Cette correspondance n’est pas fortuite. Bilmes a d\u00e9crit son propre processus comme reposant sur de longs gestes d\u00e9lib\u00e9r\u00e9s et sur le grattage de la peinture avant qu’elle ne s\u00e8che compl\u00e8tement \u2014 une m\u00e9thode qui donne \u00e0 ses surfaces un aspect tir\u00e9 ou dessin\u00e9 plut\u00f4t que simplement appliqu\u00e9. C’est une technique affin\u00e9e au cours d’environ une d\u00e9cennie d’\u00e9tudes priv\u00e9es, commenc\u00e9es \u00e0 l’\u00e2ge de huit ans aupr\u00e8s de son p\u00e8re, le peintre et p\u00e9dagogue Semyon Bilmes, \u00e0 l’\u00e9cole d’art familiale du sud de l’Oregon, qui a ensuite d\u00e9m\u00e9nag\u00e9 \u00e0 Maui sous le nom d’Atelier Maui. Au moment o\u00f9 Bilmes a commenc\u00e9 \u00e0 exposer professionnellement \u2014 d’abord avec Arcadia Contemporary \u00e0 Los Angeles, puis \u00e0 New York et par l’interm\u00e9diaire de Beinart Gallery, Modern Eden et Gallery 1261 \u2014 cette surface gratt\u00e9e et fibreuse \u00e9tait devenue l’\u00e9l\u00e9ment porteur sous-jacent \u00e0 tout le reste de son \u0153uvre\u00a0: un visage, une \u00e9paule, un geste, tous construits \u00e0 partir d’une texture qui se comporte comme une mati\u00e8re fil\u00e9e ou tiss\u00e9e plut\u00f4t que comme de la peinture.<\/p>\r\n\r\n\r\n\r\n

Clotho (The Spinner)<\/em> date de 2021, la m\u00eame ann\u00e9e o\u00f9 Bilmes a tenu son exposition personnelle \u00ab Eternal Recurrence \u00bb au site Soho d’Arcadia Contemporary \u2014 un titre qui pointait d\u00e9j\u00e0 vers le fil, le cycle et la r\u00e9p\u00e9tition comme pr\u00e9occupations r\u00e9currentes de sa production \u00e0 cette p\u00e9riode. Le tableau a depuis \u00e9t\u00e9 vendu, mais il s’inscrit naturellement dans le vaste ensemble d’\u0153uvres aux titres mythologiques et symboliques \u2014 Metamorphosis<\/em>, Anonymous XVI<\/em>, Veiled V<\/em> \u2014 \u00e0 travers lesquelles Bilmes revient sans cesse \u00e0 un petit nombre de questions\u00a0: ce qu’un corps devient, ce qu’il cache, et ici, ce qu’il fabrique. Arcadia a d\u00e9crit sa pratique comme brouillant \u00ab la distinction entre le visible et le palpable \u00bb, et Clotho<\/em> en est une d\u00e9monstration aussi litt\u00e9rale que possible \u2014 une image sur le fil qui se file, rendue dans une technique qui file elle-m\u00eame le fil.<\/p>\r\n\r\n\r\n\r\n

Il y a aussi un \u00e9cho plus discret dans le choix du sujet. Bilmes a appris \u00e0 peindre aupr\u00e8s de son p\u00e8re d\u00e8s l’\u00e2ge de huit ans, une longue ligne de transmission pass\u00e9e de main en main pendant pr\u00e8s de dix ans avant sa premi\u00e8re exposition publique. En 2026, il lance Methods, un programme en ligne pour peintres construit pr\u00e9cis\u00e9ment autour de ce type de transmission \u2014 un processus, selon ses propres mots, v\u00e9ritablement personnel mais enseign\u00e9 plut\u00f4t que d\u00e9couvert seul. Un tableau sur la Parque qui file le fil que d’autres mesureront plus tard trouve naturellement sa place au centre d’une carri\u00e8re qui a toujours port\u00e9, d’une mani\u00e8re ou d’une autre, sur la question de qui transmet le fil \u00e0 qui.<\/p>\r\n","protected":false},"excerpt":{"rendered":"

Daniel Bilmes construit une surface comme une fileuse travaille une quenouille\u00a0: il tire un long coup de brosse d’huile sur le panneau, le laisse s’amincir vers la fin, puis fait glisser un second coup \u00e0 travers le premier avant qu’il ne soit compl\u00e8tement sec. Sous un \u00e9clairage rasant, la peinture de Clotho (The Spinner) \u2014…<\/p>\n","protected":false},"author":1,"featured_media":5911,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[180],"tags":[237],"class_list":["post-5910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","tag-daniel-bilmes"],"acf":[],"yoast_head":"\nDans Clotho (The Spinner), Daniel Bilmes peint comme une fileuse - Art Fair<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artfair.app\/fr\/dans-clotho-the-spinner-daniel-bilmes-peint-comme-une-fileuse\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dans Clotho (The Spinner), Daniel Bilmes peint comme une fileuse - Art Fair\" \/>\n<meta property=\"og:description\" content=\"Daniel Bilmes construit une surface comme une fileuse travaille une quenouille\u00a0: il tire un long coup de brosse d’huile sur le panneau, le laisse s’amincir vers la fin, puis fait glisser un second coup \u00e0 travers le premier avant qu’il ne soit compl\u00e8tement sec. 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