Aviv Grinberg, portrait. Photo by Noam Ekhaus.

AVIV GRINBERG

Israeli multidisciplinary artist (b. 1991) working across painting, sculpture, and installation, best known for a decade-long body of work he calls the Language of Cleanliness.

AVIV GRINBERG

BIOGRAPHY
Aviv Grinberg (b. 1991, Herzliya) is an Israeli multidisciplinary artist based in Tel Aviv, working across painting, sculpture, and installation, much of it at the boundary between painting and object. For close to a decade his practice has centered on everyday cleaning objects — readymades, industrial plastic waste, defective containers, and tools such as carpet beaters — assembled into a visual language he calls the Language of Cleanliness. Through these materials he examines repression, concealment, control, and consumerism, tracing how systems of order shape personal memory and collective structures. His more recent work brings in organic imagery and ecological tension, questioning the desire for purity in a world marked by rupture and excess.

As published by the NARS Foundation, Grinberg’s biography places this practice against a personal background: he was raised in a family of Holocaust survivors, identifies as a gay man, lost a sister to mental illness, and served in the military as a prison guard. He and NARS describe these experiences as part of the conceptual foundation of his work.

He received his BFA with Excellence in 2017 from Shenkar College of Engineering, Design and Art.

EXHIBITIONS & RESIDENCIES
Solo exhibitions include I Opened the Door of Fire at the historic water tower in Kiryat Tivon, Inflating Errors at the Petah Tikva Museum of Art, and Synthetica at Corridor Contemporary. Group presentations include Givon Art Forum, Nassima Landau Art Space, Edmond de Rothschild Center, Zumu – The Traveling Museum, and City Gallery Kfar Saba. He has participated in the NARS International Residency, the Practical Magic Lab at Schechter Gallery, and the Mifal HaPais Art and Design Incubators.

HONORS
His honors include the Independent Creators Fund Grant and the Margaret and Sylvan Adams Prize for Emerging Artists, and a nomination for the Forbes Israel 30 Under 30 list.

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Aviv Grinberg, Second Nature, First Nature, 2026, oil on linen, 272×196 cm

Second Nature, First Nature
2026 · Oil on linen
272 × 196 cm

Aviv Grinberg, Plant Pathology, 2025, acrylic on canvas, 20×15 cm

Plant Pathology
2025 · Acrylic on canvas
20 × 15 cm

Aviv Grinberg, I Opened the Door of Fire, 2024, installation view, historic water tower, Kiryat Tivon

I Opened the Door of Fire
2024 · Canvas suspended on bicycle wheel, with sound composition and travel journal
900 × 66 cm, cylindrical installation
Historic water tower, Kiryat Tivon. NARS Foundation credits this work as industrial paint on canvas, bicycle wheel, 354.3 × 26 in.

Aviv Grinberg, Clayface, 2024, glazed ceramic, 90×40×25 cm

Clayface
2024 · Glazed ceramic
90 × 40 × 25 cm

Aviv Grinberg, Valley of Dry Bones, 2022, oil on canvas, 200×450 cm

Valley of Dry Bones
2022 · Oil on canvas
200 × 450 cm

Aviv Grinberg, Mechanical Secretions, 2022, industrial plastic waste, 100×90×45 cm

Mechanical Secretions
2022 · Industrial plastic waste
100 × 90 × 45 cm

How Aviv Grinberg Turns Carpet Beaters and Plastic Waste Into a Language of Control
Aviv Grinberg, Mechanical Secretions, 2022, industrial plastic waste, 100×90×45 cm
How Loumi Le Floc’h Turns Eggplant Skins Into Stained Glass
Loumi Le Floc'h, Precious Peels — large hanging panel of dyed eggplant skin in a studio, viewed by a visitor
In “Slow Down,” Hannes Verhoeven Asks a Hare to Notice a Snail
Hannes Verhoeven, "Slow Down," marble composite, 80 cm — child in a hare costume seated cross-legged holding a small gilded snail

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