TUĞÇE ARIÖZ

Istanbul-based multidisciplinary artist working across oil paint, digital collage, and AI-assisted video, known for deliberately pushing generative tools toward error — what she calls the “Art of Imperfection.”

TUĞÇE ARIÖZ

BIOGRAPHY
Tuğçe Arıöz (b. 1985, Ankara, Turkey) is a Circassian-Turkish artist based between Istanbul, Ankara, and Bursa. She studied Art History at Hacettepe University, graduating in 2011, then spent several years directing and art-directing for film, television, and documentary before oil paint, digital collage, and video became her primary language. More recently, AI-assisted tools have entered that language too — not as a shortcut, she says, but “another way of asking the same old questions: what’s real, what’s memory, what gets left behind when a story is told.”

She calls her approach the “Art of Imperfection”: looking at an image without hunting for what’s wrong with it, and pushing a generative model toward error on purpose, because she is more interested in the gap between her intention and the machine’s accident than in what the technology does perfectly. “I’m much more interested in what can happen somewhere between control and chance,” she has said of the process. Recurring threads in her work include Circassian heritage and braided hair as a structural motif, memory and the subconscious, and — in her own words — “quantum physics, Sufism, collective rituals, and sociophysics.”

EXHIBITIONS
2023: Taksim Sanat Gallery, Evin Art Gallery, Art Istanbul Feshane, and 42 Maslak, Istanbul.
2024: Qartspace (online).
Dec 2025–Jan 2026: “İstisnaların İhtimali,” EArt Gallery.
Dec 2025–June 2026: “Digital Whispers of Memory,” solo exhibition, Digitaliseum, Malmö, Sweden, presented as part of ART MATTER Festival 2026.
Upcoming: Brussels Art Fair, Paris Art Capital, and the Milan Art Fair.

EDUCATION
Hacettepe University, Department of Art History (graduated 2011).

REPRESENTATION
Lists work through Saatchi Art; exhibits through curatorial and gallery invitations, including Antakly Projects, Digitaliseum, and EArt Gallery.

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“Ouroboros chain”
Mixed Media, Digital on Aluminum Dibond
16″W x 20″H

“Ouroboros chain”
Mixed Media, Digital on Aluminum Dibond
26″W x 32″H

“Ouroboros”
Mixed Media, Digital on Aluminum Dibond
26″W x 32″H

“Ouroboros II”
Mixed Media, Digital on Aluminum Dibond
26″W x 32″H

“Ouroboros”
Mixed Media, Digital on Aluminum
16″W x 20″H

“Cehennemde 6 Ay Gece, 6 Dakika Gündüzdür”
Mixed media digital collage, with rupaart
2026

“a-b-c”
Mixed media digital collage, with rupaart
2026

“Faal Melankoli Yürüyüşleri Delilik Hızına Ulaştığında”
C-print Diasec, with rupaart
2026

“Cicili Bicili Ivir Zivirlar”
Mixed media, with rupaart
2026

“Dura Dur”
Mixed media digital collage, with rupaart
2026

“Kahve ve Nükleer Bomba Yapabilen Dilber”
Mixed media digital collage, with rupaart
2026

From the “Art of Imperfection” Series
Mixed media digital collage
2026

In “Ouroboros,” Tuğçe Arıöz Binds Two Figures With a Single Braid
In Sharon Van Etten, Christy Hopkins Lets the Layers Stay Unresolved
Realism vs. Photorealism: What’s the Actual Difference?

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